Pretty Woman II: Dirty DebutantesEarly in Charlie Wilson's War, a speaker intones that without Charlie Wilson, history "would be largely and sadly different." Whether history would be largely different without Wilson - a U.S. Congressman from Texas for 25 years - is debatable but probably accurate, but the reference to sadness caught my attention. Wilson, a buoyant rascal, elevated revelry to an art form, so whether history would have been gloomier without him is beyond a shadow of a doubt. What makes the story of Charlie Wilson's War so irresistible is how a scoundrel and hard-drinking womanizer like Wilson (Tom Hanks) stumbles into the crossroads of history and, once there, has the good sense to stand his ground. What makes Charlie Wilson's War one of the year's best films is how artfully the screenplay plays Wilson's weaknesses into strengths.
Completing the trio is Joanne Herring (Julia Roberts), the Houston socialite and former beauty queen who inspires Wilson to look into Afghanistan. (Actually, the trio is a quartet if Wilson's sweet, moral assistant, Bonnie Bach, is included. Amy Adams is sensational in this small but sturdy role.) According to Herring, the place to see Afghanistan is Pakistan, where Wilson encounters 3 million Afghan refugees. Those who haven't died wait to be martyred. Wilson discovers that Afghan rebels are using rifles and mortars against the Russians - essentially, sticks and rocks - while the Russians are sailing overhead in state of the art, rocket-equipped helicopters. What the rebels need are heat-seeking Stinger missiles; Wilson serves on the subcommittee that can make those missiles a reality. Only politics - personal, national and global - stands in Wilson's way.
Charlie Wilson's War is a lightly drawn, ideas-driven satire of an almost unbelievable episode in American politics. It isn't deep, nor is it what I would call a closely observed film. The film is talky and a little humid at the outset, but as each person enlisted by Avrakotos seems progressively more clever, so does the film become more enjoyable with each passing sequence. The performances are among the best this year, particularly by Hanks and Hoffman, whose easy but alert rapport should earn them many nominations. The tone of Charlie Wilson's War is sometimes inconsistent, but the message surely is not: Afghanistan was pried from the Soviets' grip by the aid of a most unlikely hero only to fall under Taliban control when we neglected to win the peace. It remains a victory that was profoundly incomplete.
This review orginally appeared in the Eugene Weekly.
Directed by Mike Nichols. Starring Tom Hanks, Philip Seymour Hoffman and Amy Adams Rated R.