What begins as their attempt to save some neighbors who survive an assault on the town grows rapidly into a camp of hundreds of Jews from all walks of life who have heard about their daring community. They become known as the Beilski Otriad.
Tuvia sets out to save a few villagers, and he is suddenly drawn into a leadership role. He is not a perfect hero; he has moments of ambivalence and inaction, but like the people he is trying to save, the dire circumstances bring out his best. "I would rather save one Jew than kill ten Nazis," he says at one point, putting his emphasis on saving lives as a strategy against the Nazis.
Watching this movie, you cannot ignore the irony created by cinematographer Eduardo Serra (Blood Diamond, Girl With the Pearl Earring): he makes beautiful what is grisly and desperate. Shot in lush forests in Lithuania, the film's atmosphere is further enhanced by award-winning composer James Newton Howard and the soaring violin of Joshua Bell. It serves to underscore the beauty in the group's unwillingness to lose their humanity and behave like their enemy.
It is easy to become desensitized to events both current and historic after being overexposed. And the Holocaust is such an event. But there are moments in this film that bring the horror of those lives affected into clear focus. Although not as emotionally debilitating as Schindler's List, we do come face to face with the madness of the Nazi era. And like that Steven Spielberg movie, it makes the fact the story is true all the more remarkable and reminds us horrors of the Holocaust bred heroes, as well as victims.