With The Soloist, director Joe Wright scorches the screen with the same mixture of fantasy and grungy reality that he used in Atonement.This is probably the first film of 2009 that has serious Oscar aspirations.
Robert Downey, Jr. plays Lopez, the intrepid columnist who spies Ayers in a not-so-chance meeting by a statue of Beethoven in downtown Los Angeles. From there, Lopez learns that Ayers is a former Julliard student with tremendous promise whose life was turned upside-down by voices in his head. An interesting newspaper column idea evolves into something more personal and profound that grows into friendship.
While the film leans heavily on Foxx's performance, Downey's portrayal of Lopez is crucial for the audience's access to the violent, rat-infested skid row that Ayers calls home. We feel Lopez's fear as he wades through a sea of angry humanity carrying crack pipes, crude weapons, and a serious chip on their collective shoulder. We also absorb his outrage at the results of the mayor's $50-million-dollar "cleanup" of the mean streets near the Lamp Community, where police officers arrest homeless men for illegal possession of shopping carts. But the most prominent emotion, by far, is guilt.
While the tagline "based on a true story" tends to sow skepticism, The Soloist largely avoids the shortcomings of other fictionalized bio-pics. In reality, there is no silver bullet for mental illness. A hot meal and a roof won't cure what ails someone who is homeless by choice. The well-meaning Lopez had to come to terms with the emotional wall that Ayers constructed over three decades of living on the streets.
Naturally, classical music enthusiasts will find something to like in The Soloist. But to me, the music of this film is its embrace of human frailty and complexity, and its willingness to rest easy in that world.
The Soloist ★★★★✩
Starring Jamie Foxx, Robert Downey Jr. and Catherine Keener. Directed by Joe Wright. Rated PG-13.