Clark, an emeritus professor from the California State system on a "failed retirement" says she wanted to do an event like this because it gave artists an opportunity to create prints on a larger scale and showed the community another side of print making.
Making prints with a steamroller allows artists to create large-scale works that art lovers can prominently hang on their walls and admire. The artists created the plates from sheets on untempered Masonite and were then able to add texture and definition by carving hard or soft lines in the surface. The plates were covered with soy and water-based inks and brought outside to the parking lot where the steamroller sat waiting to roll over what resembled a giant Slip N' Slide comprised of a long blue tarp and carpet padding with plates and paper sandwiched between. The presses normally used at Atelier 6000 provide 2,000 pounds per square inch of pressure during the print making process. The presses are only about three or four feet wide and were rolled over by a ride-on steamroller (providing an exponential increase in pressure) just like the kind you're used to seeing on the side of the highway.
The idea for the event came from "Paint-Outs" - weekends where artists gather for a weekend just to paint. Clark refers to Steamroller Sunday as Atelier 6000's as a "Print-Out."
"We really wanted the community to be aware of what an artist's workshop is all about and what we do in an Atelier workshop," she says. Clark, who made a plate for Sunday but never had time to print it, said she hopes to make it a weekend-long event next time.
Emerson's horse prints will be among the multitude of other print works available for sale at the opening this Friday at the small studio on Scalehouse Court. Prints start out at as little as $50 (which barely covers materials says Clark) and go up from there. With numerous people in the Sunday crowd commenting on how they wished they had more walls because they wanted so many of the prints, it looks like the first-ever Steamroller Sunday was far more than a novelty.
"My favorite part of an event like this is when the artist sees the paper being pulled back from the plate and sees the power of what they can create with so little materials," says Clark.