Film

Steven seagal smashes stereotypcasting in the new apatow comedy hit. The Judd Apatow comedy train has hit a few recent bumps. After last year's excellent Superbad and Knocked Up, we've gotten mediocre fare like Walk Hard and the just-north-of-horseshit Drillbit Taylor.
 
Jason Segel, a hilarious bit player in Knocked Up, gets the limelight in Forgetting Sarah Marshall, a comedy that, while not as consistent as some of Apatow's classic efforts, certainly belongs in the same class. Thanks to a stellar comedic effort from Segel and a cast of Apatow regulars including Jonah Hill, Paul Rudd and Bill Hader, the laughs are consistent, often original and laced with nasty doses of reality.

die hard 8? Nah, Just pacino hanging out.Going under the assumption that 88 Minutes might be bad, I felt Pacino - no stranger to really bad movies - would use his scene-chewing ability to make his screen time worth watching. It might have redeeming quality, some value, I thought. Sadly, this was not the case. Why anyone would consider making this flick is beyond my comprehension. Why Al chose to do this movie will haunt me to my grave. He might as well have starred in a Murder She Wrote anniversary special.
The premise: a college professor named Jack Gramm (Pacino) moonlights as an FBI forensic specialist. Gramm's questionable testimony has helped to convict a murderer that receives the death sentence. The move comes back to haunt Gramm on the day of the serial killer's execution via cryptic cell-phone death threats that give him, you guessed it, 88 minutes to live.

Quick, act like a cat. My first reaction leaving the theatre after this movie, besides ramming my head into the wall, was to consult my thesaurus for new ways to say horrible, terrible and awful (words I've been using a lot lately to describe movies). Wretched and abominable seem to work.
 
The only thing faithfully reproduced in this remake is the prom night setting. The predecessor-flick was pretty bad to begin with, but the remake makes it look like Citizen Kane. In the original, four students were stalked and victimized by a knife-wielding ski-mask wearing psycho because they were responsible for the accidental death of a child. This time around a non-masked stalker escapes from a mental institution to wreak havoc on all in his path because he has an unhealthy infatuation with Donna (Brittany Snow), an ex-student of his before he was put away.

Filmmaker Josh Tickell is aiming for "a shift in human consciousness," with his film, Fields of Fuel. Focused on biodiesel and biofuels as alternatives to reliance on big oil and soy production, the film asks us to choose more self-reliant, peaceful, and healthier lives.

Stuffing their cornholes.You might think twice about devouring another McDonald's Quarter Pounder after watching Ian Cheney and Curt Ellis' eye-opening documentary, King Corn. The film won Best Documentary at the 2007 Bend Film festival and will screen again on April 22 at the Tower Theatre as part of the Indie Reels series. Co-producer Curt Ellis will be on hand for discussion.
 
Best friends Ian and Curt moved from Boston to Greene, Iowa after college to find out where their food really comes from. The film follows them as they plant an acre of corn in the heartland and attempt to navigate modern agribusiness. Remarkably, both Ian and Curt's great-grandfathers were from Greene, and the two also trace their family histories throughout the story. They assimilate into the community and learn how to drive tractors and drink Budweiser. On the way, we-along with the filmmakers-learn everything from what a grain elevator is, to the fact that corn is present in about 60% of the American diet.

It wouldn’t be horror flick without the obligatory hot chicks.Yep, The Ruins gets ruined, taking a huge turn for the worse-for the characters, not the audience. I actually let it bypass my "despise-o-meter" entirely.
It starts off in a formulaic manner: the four main vacationing characters (med student, geek-girl, slut, surfer-dude) are all white, yuppified and overtly nauseating, making you wish they could be killed within seconds. But oddly enough, the director (first-timer Carter Smith) doesn't waste a bunch of time forcing these people down your throat and had the foresight to add some nudity almost immediately.

Little Miss Sunshine goes tropical.Feeling the need to escape the desperate last gasp of winter, I decided to go to the one movie with the word "island" in its title. The film Nim's Island sets sail in the Pacific, stowing away somewhere near the Cook Islands in a tree house resembling a high tech version of the classic dwelling in Swiss Family Robinson. Surrounded by a tropical paradise (punctuated by the occasional storm), friendly animals and good books, I could have spent the entire 135 minutes there. Alas, such serenity soon dissolved as if it were a sandcastle.
 
Life on Nim's Island initially seems idyllic, and although there wouldn't be much of a story if it stayed that way, the film's identity clearly suffers from having two directors (Jennifer Flackett and Mark Levin) and four screenwriters. It gets mired in at least three different genres; is it a cutesy adventure movie, a high tech/deserted island survival story, or the charming tale of a child who lives with her marine biologist dad while using her wits and imagination to create an exciting and richly self-sustaining life? The film is most successful when in the latter mode, wading in the turquoise waters of Nim's (Abigail Breslin, Little Miss Sunshine) imagination, while fending off the intermittent intruder.

No, that's not your spin class.The funniest thing about this movie is its title. Other than that, the talents of Simon Pegg, Thandie Newton and Hank Azaria are totally wasted. It is corny from the second it starts, and the corn never stops. Fat Boy is schmaltzy, poorly written, not-so-well acted and just plain BORING! This movie is insidious and not in a good way. It is vapidly tedious to the hilt.
From the first minute, you know exactly how it will end. The main character Dennis (Pegg) leaves his pregnant girlfriend Libby (Newton) at the altar, literally running away. Cut to five years later and Dennis is out of shape, smokes a lot and has unexplained visitation rights to see his son. Enter Libby's new boyfriend Whit (Azaria) who's rich, successful and runs marathons. In order to win back his girlfriend, Dennis decides to run a marathon. Maybe this looked good on paper; on screen it's unbearable.

Kenny Rogers was a much better gambler.Greed and need fuel our hero's intoxication with Las Vegas. And director Robert Luketic (Legally Blonde) sets up a house of cards in the film adaptation of Ben Mezrich's best-selling book, Bringing Down the House, which follows the true-life adventure of several MIT braniacs - led by math whiz Ben Campbell (Jim Sturgess, Across the Universe) - as they rake in millions by outsmarting casinos.
 
Smarmy but brilliant MIT math professor, Micky Rosa (Kevin Spacey) first recognizes Ben's aptitude for gaming when Ben gives an inspired answer to a challenging question during a class. Ben has been accepted to Harvard Medical School but needs to come up with cash for the $300,000 education. The powerful Professor Rosa lures Ben into a supposedly legal card-counting scheme with a group of gifted young math scholars. The result is a fortune made at the Vegas blackjack tables. At various intervals over a two-year period, they escape a drab, wintry-looking Boston to live like high-stakes rock stars in Sin City. Ben's original goal is to make just enough money to pay for Harvard and then stop. As fate would have it, greed and his own ego get the best of him. But, for a guy in the grip of temptation, Ben's understated character seems kind of flat.

Personally, I think the uniforms are definitely working."Once, not long ago," says the text at the start of Eran Kolirin's The Band's Visit, "a small Egyptian police band arrived in Israel. Not many remember this. It was not that important."
 
The dry introduction sets the tone for Kolirin's bittersweet, thoughtful film: Sure, it wasn't that important - unless it happened to you. In subdued, gentle scenes, through careful performances and wonderful casting, against unusual skylines, Kolirin weaves a gently observant story about the things beyond physical borders and boundaries that set people apart or bring them together.
The blue-uniformed band that arrives in Israel is Egypt's Alexandria Ceremonial Police Orchestra, led by Tewfiq (Sasson Gabai), a serious, order-loving man who's feeling the pressure of possible budget cuts that would lead to the dissolution of his orchestra. When no one meets the band at the airport, Tewfiq is certain they can manage on their own and thereby help prove their worth. But juggling Hebrew, Arabic and English while asking for directions proves more than just awkward.