Or we could shoot hoops?Woody Allen's filmmaking career has been like one long, good conversation. He knows that sometimes he's been talking to himself, with the audience acting as psychiatrist, nodding and saying, "I see" in the right places. But Whatever Works is Woody's second wind-after losing track of the conversation to stumble about woozily, searching for the right bases; he's returned to form with a very funny, very smart farce-like comedy that beats out Annie Hall for quotable witticisms.
His last film, Vicky Cristina Barcelona is brilliant but our enthusiasm was wary, as we'd waited patiently asking of each six-monthly release, "Is this the one to get excited about?" The assumption was that he'd lost it, and so even though his most mediocre effort can be ten times better than most of what makes it onto the big screen, fun films like Anything Else got ignored. After seeing Whatever Works, you'll want to rent Vicky Cristina Barcelona, to watch it through without holding your breath.
Filmmaking is Woody Allen's way of life, and the day he wraps one film he begins to pull together the next and as he travels from country to country. Whatever Works is as much about his place in Hollywood as it is about our place in the universe. While critics complain scripts restrict his actors, to merely impersonating Allen. This time around he cast Larry David for the central character, Boris Yellnikoff – a natural fit given that David's HBO series Curb Your Enthusiasm is the illegitimate child of Allen's comedy stand-up.

