Party in the Plaza: Downtown Sound rolls 14 acts into nine hours

There is typically something artistic going down at Mirror Pond Plaza (often referred to as "The Circle" among locals), the picturesque brick area bordering Drake Park. Most times there is a guitar strumming busker or perhaps some fire dancing or juggling, or maybe something a bit more structured - I once saw a group of 15 or so pre-teens perform a musical number from Aladdin in full costumes.
On Saturday, there won't be any youth productions of Disney musicals - I don't think - but there will be a remarkably diverse showcase of Bend's local music. Often thought of as the unofficial center of downtown Bend, the Plaza makes for the most fitting location for the first-ever Downtown Sound; a free all-day gathering of 14 local acts ranging from indie rock to hip-hop.
Seeing as how the show sprang in part from the brain of Jay Tablet (JT) an MC in Bend's own Cloaked Characters (who are slated for an evening performance before Mosley Wotta closes out the show), the music does lean toward the DJ and hip-hop faction as the day goes on. That said, the diversity of acts is nonetheless impressive and is another sign of what seems to be a recent synergy taking place between Bend's different musical camps. We're probably not going to see a bluegrass/punk/hip-hop collaboration at Downtown Sound, but the range of artists on the bill suggests that we might not be too far from that sort of hootenanny taking shape.

Being all sly about it. There is probably a tribute band for every major American or European rock band you can think of and most of them have names that unmistakably link them to the band they idolize and emulate. Zeppelin tributes have names like Led Zepagain, Physical Graffiti, Whole Lotta Zep and Beatles emulators go by monikers like the Backbeats and Hello Goodbye. There's a Portland band called Appetite for Deception - and yes, they play the music and wear the leather of Guns N' Roses.
 
On Sunday, Joey Porter brings his nine-piece Sly and the Family Stone tribute to the Les Schwab Amphitheater for the Summer Sundays kickoff, and I thought this would be a great opportunity to discuss the tribute band phenomena.
Some, and possibly most, tribute bands are the result of an excessively enthusiastic love of a particular band gone overboard. When I was 13 years old, I found myself having unintentionally become the guitarist of a Nirvana tribute band. The intention was never to become a tribute of any kind, but we played Nirvana songs exclusively while wearing our Nirvana T-shirts and listening to Nirvana on cassette tapes during breaks in our rehearsals. We wore our guitars right around crotch level, just like Kurt Cobain and Krist Noveselic, and donned thermal undershirts while trying to let our hair grow long. I grew out of that Nirvana phase, but I can see how some might stick with it, taking the delusion to the next level by making a career of not being a rock star, but pretending to be a rock star.