In a corner of Brian Jones' bedroom there's a wooden trunk overflowing with LPs, many of which were recorded decades before the 22-year-old was even born. Iconic album covers, each 12 inches by 12 inches, cover one wall of the room. Jones is thumbing through his collection of more than 300 records (ranging from a comprehensive Beatles section to a wealth of semi-rare blues albums) in his Seattle apartment and is trying to tell me why these pieces of vinyl are so important to him.
"The presentation of the album is what got me excited. The visual
aspect of it - opening up the insert, holding it in your hand," Jones
says. "I think the process of actually shuffling through and pulling it
out and looking at the record, not just scrolling on a computer, is
what attracts me to vinyl."

