Director Frédéric Tcheng is carving out a niche. With 2008’s Valentino: The Last Emperor, 2011’s Diana Vreeland: The Eye Has to Travel, and now Dior and I, Tcheng’s work in film has been exclusively devoted to documenting characters and moments in the world of high fashion. (True, Valentino was directed by Matt Tyrnauer—but given his […]
