Jared Rasic

I’ll be perfectly honest with you right now. The hardest I’ve ever cried in a movie theater was at the end of “Toy Story 3.” Rewatching it to prepare for the release of “Toy Story 5,” I figured it wouldn’t wreck me as badly as it did 16 years ago. I thought I was an […]

Every July, I like to look back at the first half of the year to take the temperature of our current cinematic landscape. By this time last year, we already had the dizzying peaks of “Sinners” and “On Becoming a Guinea Fowl” and the subterranean lows of “Jurassic Park: Rebirth” and “Snow White.” Will 2026 […]

Cinema has long been obsessed with the concept of machines that can think, feel and one day be indistinguishable from their creators. When done correctly, artificial intelligence as a cinematic device can serve as a perfect mirror for human anxiety, ambition and existential dread; at its worst, it’s a goofy stab at speculative fear-mongering, nervously […]

I think how much you’ll like “Disclosure Day,” the newest film from Steven Spielberg, depends a lot on what your favorite film of his is. From the raw, thrumming energy of “Jurassic Park,” “Jaws” and “Raiders of the Lost Ark,” to the throwback sentimentality of “E.T.” and “Close Encounters of the Third Kind,” back around […]

Going to the movies this weekend made me feel like I was living through a cultural event horizon of the late 20th century, where Hollywood desperately picks up and shakes my inner child just to see if any more loose change falls out. This week, the box office gave us two diametrically opposed flavors of […]

The theatrical release and box office explosion of the new A24 psychological horror film “Backrooms” represents a landmark moment in modern cinema. It serves as the intersection of three major contemporary cinematic trends: the box office dominance of horror, the mainstream acceptance of a new YouTube-to-cinema pipeline and a successful push to get Gen Z […]

Whether you enjoy “The Mandalorian and Grogu” depends entirely on what you want from your “Star Wars” these days. Don’t get me wrong, the film is entertaining and it’s easy to get lost in director Jon Favreau’s version of Star Wars, where every frame is packed with stunningly designed aliens and monsters. Yet, it’s hard […]

I don’t think this is a very controversial statement, but we are absolutely living in the golden age of horror movies. We exist in a time where a grimy, bluesy vampire movie like “Sinners” can become the most Oscar-nominated film in history and a bonkers, singular vision like “Weapons” can nab Amy Madigan her first […]