I don’t know what you’re after when you watch movies and television. Some people use pop culture as a way to escape the narrow confines of their daily life and only want to be entertained. Others just want to unwind at the end of the day with their brain on low power mode. More and […]
Jared Rasic
Film critic and author of food, arts and culture stories for the Source Weekly since 2010.
Posted inFilm
Aliens, Odysseys and a Dunesday
Getting excited about what’s coming in 2026
I keep waiting to become more cynical about movies as a film critic. Every week I read one think piece after the next about how cinema is dying and no good movies are made anymore, but 2025 was packed to the rafters with One Masterpiece After Another. In a year with movies like “Train Dreams,” […]
Posted inFilm
Spectacle Fatigue
Avatar: Fire and Ash is more of the same (for good and bad)
I don’t think I’m in love with the “Avatar” films as much as I should be and that might be directly correlated to the number of movies that I’ve seen across the years of my life. I’m fully aware that James Cameron and his team of technical geniuses have, with Pandora, built a world that […]
Posted inChow
The Perks of a Perfect Tortilla
Wandering Ranchero finds new dimensions in the breakfast taco
Listen, if you don’t listen to another food recommendation I give you for as long as I do this job, then please believe me when I say that the thing that has been missing from your life up until now is the duck fat Sonoran tortillas from Wandering Ranchero. (Located behind Palate Coffee). There are […]
Posted inFilm
A Year of Excellence
The best (and some worst) films and shows of 2025
Every year, when it’s time to make my end-of-the-year list, I realize there are still too many new releases that I’ve yet to see, which is somewhat ridiculous since I actually managed to catch around 150 releases from 2025. That’s plenty. Feels like plenty. Along with all the new shows I tried to catch, I […]
Posted inMovies
Shakespeare in Loss
“Hamnet” finds creation in pain
“Hamnet” opens on Agnes (a primally explosive Jessie Buckley) waking at the foot of a massive tree in the depths of an old-growth forest. She (as was her mother before her) is treated as a Woods Witch, a blend of mysterious naturopath and rugged outdoorswoman, more comfortable as a quiet falconer than engaging in society. […]
Posted inFilm
Bill, Killed
Tarantino, Film Bros and the Whole Bloody Affair
I have a complicated relationship with Quentin Tarantino. I rented “Reservoir Dogs” on VHS when I was 12 years old and it was the first movie that ever made me really understand the importance of dialogue in filmmaking. The way QT balanced tough guy dialogue with flawless needle drops and character-driven ultra violence felt like […]
Posted inFilm
Claw and Order
Zootopia 2 sacrifices depth, gains puns
It’s been a LONG nine years since Disney’s “Zootopia” was released to near universal praise and over a billion dollars at the box office. In my review of the film, I said, “‘Zootopia’ is an important movie for parents, kids and anyone who appreciates animated films. Asking people to be less prejudiced and more open-minded […]
Posted inFilm
Complying with Gravity
Wicked: For Not That Good
My obsession with musical theater switched off one day before I was able to join the “Wicked” fanbase. The music from “Les Mis,” “Hedwig,” “Spring Awakening,” “Rent,” “Once,” “Rocky Horror,” “Phantom” and a few more still spin round in my head some weeks, but shows like “Cats,” “Rock of Ages” and “Frozen” feel lukewarm and […]
Posted inFilm
Two Mothers
A remarkable double feature
It’s rare that two movies are both released around the same time and have profoundly interesting things to say about similar subjects. Yeah, you’ll get Twin Films like in 1997 when we were lucky enough to get “Volcano” and “Dante’s Peak” in the same calendar year, or even better, in 1998 when Hollywood bestowed upon […]
