With the release last week of the Michael B. Jordan/Ryan Coogler instant classic “Sinners,” we have officially entered the 2025 summer season of movies. Just like every year, May through July, we’re going to get a few fun but stupid ones, some awkwardly terrible ones, then hopefully one or two that stand the test of […]
Jared Rasic
Film critic and author of food, arts and culture stories for the Source Weekly since 2010.
Burgerville, USA
While Bend is slowly morphing into a foodie town with more diverse regions of cuisine to sample, it’s hard to shake off its Beer Town USA roots completely. As we finally get options like Dominican, Oaxacan, Dutch/Indonesian fusion, Korean and maybe even some quality Ethiopian one day, we’re still shrugging off decades of being a […]
High Stakes
When people who write about movies for a living come across a piece of cinema that feels monumental, there is always a list of specific words that get used to describe it. Words like “visionary,” “electrifying,” “exhilarating,” “transcendent,” and “breathtaking” get thrown around with abandon (by myself included) to describe much lesser films than Ryan […]
Another Brick in the Wall
As someone who pays their bills by watching and then writing about movies, I don’t really get to differentiate between movies that are “for me” or aimed at a completely different demographic. I watch it all. And I take that seriously. I go into every movie genuinely hoping for the best and don’t critique the […]
John, Yoko, Oakland, Punks and So Much More
There are a ton of low-budget, international and just plain off-the-radar films coming out over the next few weeks โ most of which deserve at least a chance to find an audience. With advertising budgets that are unable to compete with what the larger studios are able to throw at their movies, I dove into […]
Satired
How smart does a satire really need to be? This has been on my mind since the release of Bong Joon Ho’s fun but flawed “Mickey 17” when I realized that if an explosive filled with ideas is dropped on America, maybe there’s no room for subtlety anymore โ especially if it needs to land […]
A Penguin, a Princess, a Parent, a Pratt and a Pesci Impression
March has been a fairly middling month for movies so far. Don’t get me wrong, there have been a couple of solid cinematic offerings, but those have felt more like aberrations than the norm. This week, I watched five new movies hoping for some magic (I found some), but mostly what I discovered was something […]
The Spies Who Loved One Another
Can we agree that Steven Soderbergh is one of America’s most exciting, influential and innovative filmmakers currently working? Or, are his movies not “sexy” enough to elevate him to the ranks of artists like Hitchcock, Scorsese, Godard and Truffaut? Actually, I don’t really care if we agree: I’m calling it. Since 1989’s “Sex, Lies, and […]
Late-Stage Existentialism
I‘ve been saying this for a long time and feel no need to refute myself now or at any time in the near future: South Koreans make the best movies in the world. Bear with me while I show my work. In the 1950s and ’60s, we had filmmaking innovators like Han Hyung-mo and his […]
A Tower-ing Figure
You know the health of a town by the state of its theaters. Opened in 1940, the Tower Theatre was the jewel of downtown Bend from the date of its opening until its closure in 1996. When I moved here in 1999, downtown felt lessened by its boarded-up windows and darkened marquee. After a herculean […]

