In the September 24 issue of The Source, “Off Target: Conservationists' opposition to hunting wolves is wrongheaded,” Mike Medberry criticizes conservationists for filing a lawsuit to protect wolves, while portraying himself as a pro-hunting conservationist. To extol the bloodshed and death involved in hunting under the guise of conservation is a popular but absurd paradox.
I have taken the time to meet face-to-face with the hunters who have the most bloodlust in this current debate, and I can tell you they have not lost an ounce of the fervor it took to quarter wolves for fun a century ago. These are the people Medberry directly or indirectly supports by saying it's time to hunt wolves.
Source Weekly
Letter of the Week: Don't Burn Books Yet
Thanks BJ Thomas for this week's letter, a nice meditation on the changing nature of the printed word in a digital society – something that we think about a lot around here. We too hope there's a future with good old-fashioned books and maybe even a few newspapers. And like BJ, we prefer a flashlight over a backlight any day. Meantime, BJ, you can pick up your winner's spoils, a bag of Strictly Organic coffee, at our office, 704 NW Georgia.
So I'm reading in the national news today that now, in addition to Kindle (shudder) trying to change how people think they read books, there is a new technology designed to insert visuals of what is being read – an awful creation referred to as a “Vook.”
Ignorance Is Bliss
Dear Editor,
John Sabo's Opinion piece “Let Beck Shine A Light” (Source, 10-1) leaves me no choice but to congratulate him for having the stomach to listen to the Fox News “talk jocks” (David Brooks quote) and no doubt Rush too – his stomach must be cast iron! Sabo criticizes the Source writers who, “continue to bash these guys and this network,” justifiably so. If he's looking for sympathy I doubt that he'll get it.
Stop and Smell the Poo
I am responding to Ace's negative response (Source Weekly, 9-24) to the lighthearted, humorous article on goose poop. Of course the Source Weekly could have filled that space with a more pressing issue – let's see there's the swine flu worry, the always ever fascinating question: “Why does the Forest Service insist on performing controlled burns during the nicest day of the year” thus yet forcing us to breathe even more smoke than we breathe during the actual fires – or even better: the weak education system in central Oregon.
An Investment We Can Afford
While all you seem to see these days in the media are stories about how some corporations and their lobbyists are mad at the legislature for finally raising the $10 corporate minimum tax, there's a much larger group of Oregonians who are happy with the work the legislature did this session – Oregon's 80,000 uninsured children.
On October 1st, the two laws that the 2009 Legislature passed to provide Oregon kids with health insurance coverage go into effect. Many of us in the Legislature believe those two bills – HB 2009 and HB 2116 – will eventually be considered two of the most important bills we passed this session.
Unlike the debate over health care in our nation's capital, legislators from the House and Senate, Governor Kulongoski, hospitals, insurers, and providers came together to solve a problem that has been plaguing our state (and most other states) for decades… and we succeeded.
Let Them Eat Cake: Vogue editor Anna Wintour gets photoshopped in The September Issue
There is nothing in The September Issue that could be described with the normal documentary vocabulary. Director RJ Cutler does not probe, investigate, expose or provide much insight into the world of Vogue. What we get instead is an entertaining effort in rebranding.
The fashion industry has taken the blame in recent years for a variety of social ills – credit card debt, anorexia, teenage pregnancy, drug addiction and more. Fashion magazines and the thin models contained within are now the go-to scapegoat for low self-esteem and its ever-expanding list of consequences. When the recession hit, fingers were jabbed more fiercely and the key players fell out of favor alongside celebrities, or anyone else living luxuriously. This film pointedly includes a money shot of a model trussed up in a corset happily biting into a huge cream pastry. We don't, however, see if she swallows.
Back To The Future: Surrogates' thought-provoking subject matter self-destructs in 10, 9, 8…
The concept of Surrogates might sound good, after all it's based on a graphic novel by Robert Venditti and Brett Weldel. Unfortunately, at the hands of the gang behind Terminator 3: Rise of the Machines, it misfires, turning into a slow-paced, bland fiasco. This Disney fairy tale/sci-fi thriller plays out like an episode of Law and Order: Special Surrogates Unit – it's a glorified TV show without any redeeming qualities.
The opening provides background history through news footage: the crime rate is down dramatically now that everyone is living through robotic surrogate bodies. People seem to function with regular jobs and have non-stop fun with no apparent risk to their own bodies (beyond atrophy). Users at home operate sexy, physically perfect mechanical versions of themselves as they grow weak, feeble and unhealthy from dentist-chair-like recliners. That is until some craggy faced “meat bag” on a motorcycle yanks out a death ray and ices some surrogates, mysteriously killing their real users at home. This brings in surrogate FBI agents Greer and Peters (Bruce Willis, Rhada Mitchell) and a whole bunch of convoluted plot twists and turns. Apparently, things in a super-fake world just aren't as they seem. Agent Greer, forced to go solo, discovers a vast conspiracy behind the surrogate phenomenon. Abandoning his surrogate, he risks his life to unravel the mystery uncomfortably interacting with a city full of pretty mannequins.
No Joking Around: Arkham faithfully recreates the franchise's noir feel
The Elizabeth Arkham Asylum for the Criminally Insane – or just Arkham to the good citizens of Gotham – is the semi-permanent address of some of the world's most celebrated criminals. The Penguin, Two-Face and The Riddler have all made the crumbling madhouse-mansion their home at one time or another. And most of them have escaped, only to be captured and hauled back by their dedicated nemesis Batman.
But at the beginning of Batman: Arkham Asylum, the most famous inmate can't wait to get back inside. Joker has been caught again by Batman, and he's delighted that his old foe is escorting him back – so delighted that he promptly escapes and rolls out the welcome wagon. Within minutes, Joker has released the institution's collection of psychos and sociopaths. The inmates are running the asylum.
Feeling So Good!
Been on vacation lately and thought you were feeling so much better for the much-needed rest and relaxation? Or could it be you spent a week downing blended drinks where there's a heap of anti-depressants in the drinking water? Why cities are afraid to post results of what's mingling in their municipal water supply is a real shame, especially since almost half of bottled water is really tap water. Cities could be using this information to their advantage for a whole new genre of marketing. Wouldn't it be great to choose your water according to your needs and desires?
Feeling a little run down, choose water from a source that has high levels of anti-biotics in it. Sport teams looking for a leg up, they can have their training camps where trenabolic and other anabolic steroids mingle in the drinking water. The entire art of mixology could change – as you certainly can't add pharmaceuticals to people's drinks – but you can add water.
Look Who's Evil Now: Evil Dead gets a comedic makeover from the 2nd Street Theater
Sam Raimi's The Evil Dead (1981) was the first horror movie that had me falling out of my theater seat laughing. It was so gory and funny at the same time. It seems that co-directors Chris Kas and Sandy Klein have a similar intention with their production of Evil Dead: The Musical at the 2nd Street Theater. The musical is twisted, hilarious and something you might want to see more than once.
The Evil Dead movie was made on a shoestring budget and there's no denying its cult classic status, spawning two sequels and countless rip-offs. I initially thought that a musical adaptation would be sacrilege. Then I considered that Evil Dead 2 was actually a parody of the first film and Army of Darkness had hero Ash (Bruce Campbell) spewing one liners amidst Three Stooges-type humor, so why not a musical comedy? Garnering both Raimi and Campbell's seal of approval, Evil Dead: the Musical was born. The musical has been shown in Toronto, New York and Dallas, and this group in Bend takes on the project with plenty of gusto.

