Culture

One of the many graphic rape scenesI can't say that this movie is boring. Let's just say it's longer than it should be. It's the kind of documentary you can watch on the History Channel and be glad there are commercials so you can take a well-deserved break.
There are, however, a ton of interesting facts. In fact, I wrote down a lot of them just so I could feel smarter. But the gist of this movie is pretty simple: Hitler stole or destroyed a bunch of artwork. Some items are lost forever. Some were found and restored. There are debates on who gets them after they are rediscovered. The End.
Rape of Europa provides a fairly detailed history lesson on the rise and fall of the Third Reich, introducing a theory that most cities were targeted due to the artwork they housed to accommodate Hitler's desire to build the ultimate Nazi art museum. There was a hit list of cities to be plundered and pillaged for masterpieces he deemed Third Reich-worthy. The film suggests, for example, that Russia's Leningrad was bombed for its Armitage museum. On the other hand, Warsaw was almost annihilated because like the Jews, the Nazis considered Poles a vile race and their art degenerate. That's right, the film suggests that Warsaw was virtually destroyed because its residents had bad taste. Soon, cities got wise to the fact that museums were obliterated and/or looted. There were massive evacuation relocation plans from the Louvre and other museums, moving the precious treasures to remote castles miles away. Oddly, Hitler spared Paris, because he wanted it to be a mere shadow next to his uber museum.

Sandler stars in Teen Wolf IIWho knew that cutting hair could be so gross? Or that co-authors Adam Sandler and Judd Apatow (seemingly in a professional freefall from triumphs such as Forgetting Sarah Marshall and The 40-Year-Old Virgin) could create any relationship at all between a Mossad agent and the gyrating hair stylist in New York City he morphs into? If you think the previews look bad, the movie proves downright nasty. Director Dennis Dugan (I Now Pronounce You Chuck and Larry) delivers a movie that even made a grown guy sitting next to me cover his eyes more than once.
Sandler combines every disgusting pelvic gesture imaginable with sticky, icky hair crèmes, as he pours, squirts, and spurts various liquids on the manes of middle-to-older aged women in a hair salon. And unfortunately those aren't the only things spurting in this film. For some reason, he then feels compelled to escort these by now willingly wanton women, fairly panting into the back room in order to facilitate their youthful imaginings. Uck. Whatever happened to just bestowing an exaggerated compliment, like "Boy Mrs. Wilson, you look at least thirty years younger with those new gold highlights and spikes?"

Tribal fisherman have suffered along with the salmon on the columbia river. Who says all fish-talk is boring? River Ways proves the opposite in a documentary about four controversial Snake Rivers dams. Set against the backdrop of the collapse of a once unrivaled salmon fishery on the Columbia River and a campaign to have four dams that have contributed to that decline removed, River Ways finds there are no easy solutions, or easy villains in this story.
River follows three essential characters-Frank Sutterlict, a Yakama tribal fisherman, Ben Branston, a wheat farmer, and Mark Ihander, a commercial fisherman. It keeps most interviews short and to the point, highlighting viewpoints from both sides of the river debate. The other perspectives include conservationists, protesters, board members, biologists and river advocates. The big river draws in a huge spectrum of interests, both economic and environmental, and there is plenty of acrimony between the extremes. One scene shows gun-toting, racist fishermen making a stand at what they consider "their river" when a Native American tries to fish the same stream.

refuses to clean up her room. The Strangers will piss off a lot of people, but probably not for the same reasons as me. It has its moments as it's an odd twist of a film. It's all about a victimizing, murderous act and any substance beyond that is all but lost. Relying only on scare tactics, the film has virtually no plot. This can be a good thing, but in this case it leads to an unredeemable finale with a supremely uncalled for ending.
 
The beginning has that good ol' horror movie promise with narration and "inspired by true events" facts straight out of Texas Chainsaw Massacre. Strangers keeps the suspense up and will undeniably creep you out. (The sound of a knock on a door might never be the same for you again.)
Kristin (Liv Tyler) and James (Scott Speedman) are back from a party early because Kristen has re-buffed James' marriage proposal and they're in a sad quandary as to what to do next. Staying at his folks' remotely situated house, they receive a knock at the door from a seemingly lost girl. They send her on her way and the trouble begins. Knocks turn into pounds, windows break, and masked figures begin to appear. (Props go to the creepiest masks ever: doll-face and pillow-head.)