It’s possibly one of the last few sunny Sundays this fall, but Joe
Kimmel is inside, working hard in his studio. Thirteen wood panels lean
up against the concrete walls of Kimmel’s space, many of them still in
progress.
"I definitely have to look at it as coming to the office," says Kimmel,
"whether it’s to make progress or just check in." It is obvious through
our conversation that while it may be artwork, it is what Kimmel lives
and breathes.
The Norton effect. A family of Irish cops and police corruption… sound familiar? Yes,
Pride and Glory has all the makings of a formulaic, seen-it-before
storyline, but at the hands of writer/actor/director Gavin O' Connor
(Tumbleweeds) it takes on an original, seedy life of its own. This is
actually a pretty good movie.
Dark and disturbing from the beginning,
there is not one lighthearted moment. From the initial body-laden
bloodbath of dead cops and drug dealers to the yelling, crying,
relentless violence and inevitably bitter end, this movie doesn't let
up. Shot in gritty and grainy blue hues depicting the evil beating
heart of NYC, Pride and Glory takes its stand among such movies as
State of Grace, Serpico, King of New York, Training Day and (the
underrated) Monument Avenue.
1) Texas Chainsaw Massacre (dir: Tobe Hooper) 1974
By far the best
horror movie ever is this original TCM classic. It's surprisingly not
as gory as the title infers, but the twisted saga of Sally and
wheelchair-bound Franklin travelling with some friends goes hazardously
awry after they pick up a hitchhiker whose brother makes "headcheese
real good." Enter cannibalistic inbred nut-jobs and good ol'
chainsaw-wielding Leather Face and you're off and running. This movie
is so demented that it keeps you on the edge of your seat not only due
to the sheer terror involved, but also the hilarious dialogue and goofy
acting.
2) Evil Dead (dir: Sam Raimi) 1981
Horror at its
frenetic peak! This is the one of the most hilarious, knuckle-biting
and gory creep fests ever made. Lantern-jaw Bruce Campbell and pals
wig-out royally in a cabin in the woods possessed by at least three
Linda Blairs from The Exorcist and blood spews like wretched wine. This
is one fast-paced inventive gore-fest that can make you laugh as hard
as you scream.
3) Audition (dir: Takeshi Miike) 1999
Japan's hardest working and most prolific film maker, Miike, has made
arguably the creepiest movie ever. It seems to be a tragic, almost
boring love story until the halfway mark. Then something happens
causing the movie to take so many jaw-dropping turns, bending into
unfathomable sadistically evil and surreal images that your guess is as
good as mine as to what the hell went wrong.
HDC Halloween Party
and Drag Show
friday 31
In the first of
the many, many Halloween events we're picking out for you (there's even
more on our special Halloween section on page 16!), the Human Dignity
Coalition is throwing their annual Halloween bash featuring PDX's
Poisonwaters and friends, after party with Grove DJs, live auction,
dancing and more. It's pretty much a guaranteed good time. And wear a
costume for crying out loud - trust us, you'll fit in no matter what
you wear. 21 and over. 7:30pm. $26. Midtown Ballroom, 51 NW Greenwood
Ave.
Power 94 Monster Ball
friday 31
The notion of
spending Halloween night in an old church has a frightening tinge to
it, but perhaps not as much if you realize the church is the feel-good
domain of the Old Stone Church, which is being transformed into a
"haunted" dance club. There should be plenty of thumping music for your
gyrating pleasure and you can get in on the $2,000 in prizes by wearing
your scariest, naughtiest and/or funniest costumes. 8pm-2am. Old Stone
Church. 157 NW Franklin Ave.
Rocky Horror Picture Show
friday 31
Last
month we got word that the Tower was hosting a hard rock show and now
we've learned they're playing Rocky Horror Picture Show. Man, things
are suddenly getting urban at the Tower and we like it. Dress up like
your favorite character and, well …if you've been to a screening of
this cult classic before, you should know what to do. Costume contest!
And promoters want you to know that this is a dry show, even if it is
21 and over. Tower Theatre, 835 NW Wall St. 317-0700. $10/adult,
$7/students (with ID).
HDC Halloween Party
and Drag Show
friday 31
In the first of the many, many Halloween events we're picking out for you (there's even more on our special Halloween section on page 16!), the Human Dignity Coalition is throwing their annual Halloween bash featuring PDX's Poisonwaters and friends, after party with Grove DJs, live auction, dancing and more. It's pretty much a guaranteed good time.
As a writer, I am dubious about whether creative writing can be "taught," suspicious of an art form that, when everything is flowing, brings words that link themselves together with an almost supernatural effortlessness. But one conversation with Ekiwah Adler-Beléndez, the youngest author, at just 19, to present a workshop during this year's Nature of Words, has opened my mind. Ekiwah, who has been called a poetic prodigy, began writing poems at the age of 10, he told me, because, "I fell in love with a girl and had to write a poem about it. It was the first feeling that poetry really pulled me into its world. It wasn't so much that I chose it, but that it chose me."
What struck me most about Ekiwah was that, for all of his success, including multiple book publications and the much-coveted respect and endorsement from poet Mary Oliver, he seemed just as interested in me and my work as a writer, and also what he can learn from coming to Bend.
Fellow Bendites, have you ever been watching a ski film as dudes bomb through powder or tear up a terrain park and found yourself at the edge of your seat saying to the buddy next to you, "Hey is that here?" only to have him or her reply, "Nope, that's Whistler."
"Wait, that's here, right?" Nope. Colorado.
"Dude, that's totally here." Not even close. Looks like Idaho.
But finally you can sit back in your seat when taking in the new Warren Miller film, Children of Winter, knowing full well that you're seeing Bend and Mt. Bachelor up on the screen. The newly released film will show four times this weekend at the Tower Theatre and includes a good eight-minute segment set in Bend and focused on local riders.
Back to the Front!Well, it seems that we can't get enough World War II shooters on the shelves and sometimes it's a pain to pick the good from the bad. Brothers in Arms: Hell's Highway is the exception and it's worth a look. This game is the third game in the Brothers in Arms series. Players assume the identity of Matt Baker, a staff sergeant during the late stages of WWII. Matt is a 101st Airborne squad leader who develops a close relationship with his men and feels great anguish when they die, so much so that he is haunted by visions of the deceased in different degrees throughout the game.
Brothers in Arms: Hell's Highway is based on a real life WWII battle called Operation Market Garden, made famous in the 1977 film A Bridge Too Far. The offensive was put together by the British and featured three airborne divisions (two US and one British) who were supposed to land in the Netherlands behind enemy lines and secure bridges at three different points.
The Queen BeeCasting can be everything. A well-chosen cast can make the fairly unimaginative adaptation of a well-loved novel into something worth seeing. Writer/director Gina Prince Bythewood (Love and Basketball)did well by the characters from Sue Monk Kidd's best-selling novel The Secret Life of Bees, though at the expense of plot development.
A waif-ish and often disheveled Dakota Fanning (War of the Worlds) plays the emotionally fragile and love-starved Lily Owens. At four years old Lily was responsible for her mother's death, "And that's all I know about myself," fourteen-year old Lily narrates in the opening scene. Accompanied by housekeeper Rosaleen (played by Oscar winner Jennifer Hudson of Dreamgirls), Lily runs away from her harsh and emotionally abusive father (Paul Bettany, sans British accent). The two travel to Tiburon, South Carolina where they are taken in by the beekeeping Boatwright sisters.
It is August Boatwright (Oscar winner Queen Laitfah, Chicago), the ubiquitous and wise head of the family that decides to take in Lily and Rosaleen against the wishes of her sister June (Alicia Keys, Smokin Aces).
Over the falls in a barrelAt first I thought I was watching a trick movie. This is no scathing statement on the evils of the Bush administration, nor does it take a feel-good, pro-Bush stance. W. paints an unflattering yet surprisingly sympathetic picture of George W. Bush. This is perhaps even more surprising given the man at the helm of the film, Oliver Stone. Where's the conspiracy theory? Where's the self-righteous anger? I get the distinct impression he doesn't want to kick a dead horse when it's down.
Stone has said that while George W. Bush was completely unfit to be president, he also learned that he's not such a bad guy. And so it goes in this saga of W (Josh Brolin). We get to see the fraternity days and his penchant of calling everyone by nick names, his years of heavy drinking and carousing, his stammering courtship of Laura Bush (Elizabeth Banks), his relationship with his pastor (a big and beefy Stacy Keach) and his subsequent switch from booze to born again. But the main crux of the movie is his relationship with "Poppy," aka Bush senior (James Cromwell), and his inability to please him. It's the age-old Oedipal story. After dodging all responsibility. Bush still wants to please his dad, and finds God in the process. In essence, he spends the rest of the movie trying to please both of his fathers: the biological and the heavenly one.
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