Culture

Quick, act like a cat. My first reaction leaving the theatre after this movie, besides ramming my head into the wall, was to consult my thesaurus for new ways to say horrible, terrible and awful (words I've been using a lot lately to describe movies). Wretched and abominable seem to work.
 
The only thing faithfully reproduced in this remake is the prom night setting. The predecessor-flick was pretty bad to begin with, but the remake makes it look like Citizen Kane. In the original, four students were stalked and victimized by a knife-wielding ski-mask wearing psycho because they were responsible for the accidental death of a child. This time around a non-masked stalker escapes from a mental institution to wreak havoc on all in his path because he has an unhealthy infatuation with Donna (Brittany Snow), an ex-student of his before he was put away.

Filmmaker Josh Tickell is aiming for "a shift in human consciousness," with his film, Fields of Fuel. Focused on biodiesel and biofuels as alternatives to reliance on big oil and soy production, the film asks us to choose more self-reliant, peaceful, and healthier lives.

Stuffing their cornholes.You might think twice about devouring another McDonald's Quarter Pounder after watching Ian Cheney and Curt Ellis' eye-opening documentary, King Corn. The film won Best Documentary at the 2007 Bend Film festival and will screen again on April 22 at the Tower Theatre as part of the Indie Reels series. Co-producer Curt Ellis will be on hand for discussion.
 
Best friends Ian and Curt moved from Boston to Greene, Iowa after college to find out where their food really comes from. The film follows them as they plant an acre of corn in the heartland and attempt to navigate modern agribusiness. Remarkably, both Ian and Curt's great-grandfathers were from Greene, and the two also trace their family histories throughout the story. They assimilate into the community and learn how to drive tractors and drink Budweiser. On the way, we-along with the filmmakers-learn everything from what a grain elevator is, to the fact that corn is present in about 60% of the American diet.

It wouldn’t be horror flick without the obligatory hot chicks.Yep, The Ruins gets ruined, taking a huge turn for the worse-for the characters, not the audience. I actually let it bypass my "despise-o-meter" entirely.
It starts off in a formulaic manner: the four main vacationing characters (med student, geek-girl, slut, surfer-dude) are all white, yuppified and overtly nauseating, making you wish they could be killed within seconds. But oddly enough, the director (first-timer Carter Smith) doesn't waste a bunch of time forcing these people down your throat and had the foresight to add some nudity almost immediately.

Little Miss Sunshine goes tropical.Feeling the need to escape the desperate last gasp of winter, I decided to go to the one movie with the word "island" in its title. The film Nim's Island sets sail in the Pacific, stowing away somewhere near the Cook Islands in a tree house resembling a high tech version of the classic dwelling in Swiss Family Robinson. Surrounded by a tropical paradise (punctuated by the occasional storm), friendly animals and good books, I could have spent the entire 135 minutes there. Alas, such serenity soon dissolved as if it were a sandcastle.
 
Life on Nim's Island initially seems idyllic, and although there wouldn't be much of a story if it stayed that way, the film's identity clearly suffers from having two directors (Jennifer Flackett and Mark Levin) and four screenwriters. It gets mired in at least three different genres; is it a cutesy adventure movie, a high tech/deserted island survival story, or the charming tale of a child who lives with her marine biologist dad while using her wits and imagination to create an exciting and richly self-sustaining life? The film is most successful when in the latter mode, wading in the turquoise waters of Nim's (Abigail Breslin, Little Miss Sunshine) imagination, while fending off the intermittent intruder.