Posted inNews

Great Vibes: Jazz at Joe's 29th concert soars

A review of Chuck Redd’s appearance in Bend, Oregon.

Three decades ago, a 21-year-old jazz drummer named Chuck Redd appeared in Bend as part of the Charlie Bryd trio at a gig at the now defunct Pat and Mike’s restaurant upstairs at 916 Wall Street. Byrd was responsible in great part for bringing bossa nova from Brazil to America. Pat and Mike’s was a restaurant/movie house (a la present day McMenamins) nervously testing the waters with its first jazz concert. The restaurant’s owners shouldn’t have been worried, the show was hugely successful.
Successful is also the word for this past Saturday night when Redd paid a return visit to Bend, this time to play the vibraphone and front a quartet at the 29th edition of Jazz at Joe’s at the Cascade Theatrical Company. Then, on Sunday morning, Redd conducted a clinic at the Cascade School of Music.
Over the thirty years since Redd last played here Bend has changed. So too has Redd going from an emerging young talent to an internationally acclaimed drummer and vibraphonist.
Based in Washington, D.C., Redd plays worldwide when not recording or teaching at the University of Maryland. Twice a year, he makes a pilgrimage to Portland to spend time plying with masterful young Oregon pianist Tony Pacini. The results of their collaboration is a tasty mélange of music from standards to bop, Bossa Nova and ballads.

Posted inNews

“Stuck in the Middle of Bend”: A Song About the REAL Bend, Oregon

This song pretty much sums up life in Bend, Oregon.

I’m not sure if you had this forwarded to your inbox already, (I’ve got it from a couple different people today) but this is a must listen for all Bend residents new and old.
The song, sung to the tune of Stealer’s Wheel’s “Stuck in the Middle with You,” but the chorus is modified to “Stuck in the Middle of Bend” and the verses lament our high foreclosure rates, our expensive golf courses and all the other great reasons people supposedly moved here.

Posted inMusic

Brews and Guitars: The Mother Hips are making beer and excellent throwback rock

Of all the things Tim Bluhm could be excited about, beer doesn't seem like it would be at the top of the Mother Hips front man's list.

Of all the things Tim Bluhm could be excited about, beer doesn't seem like it would be at the top of the Mother Hips front man's list. But on a Monday afternoon amidst discussion of the rootsy rock band's 20th anniversary, a forthcoming box set and a new studio record, he spends some time chatting about brewing.
The following day, Bluhm would be heading from his home in the Bay Area to Chico, the California college town where the Mother Hips originated, to visit Sierra Nevada Brewing Company. This is huge for Bluhm, a self-admitted beer fan, because the brewery is making a special beer for the band's upcoming Family HipNic music festival in Big Sur.

Posted inMusic

Adele – 21

Save for a couple of so-so tracks, 21 is a beautiful album led by a singer with a pristine, classic voice.

When you put out a cover of an insanely popular song – especially a beloved one that's been danced to at weddings and cried over after breakups – you're announcing yourself, in a way, to the world. And with Adele's cover of the Cure's “Lovesong,” the British girl that swept the Grammys in 2009 soars where so many others (311, Death Cab, etc.) have crashed.

Posted inNews

Video from Last Night’s Show: Damien Jurado and Viva Voce

Viva Voce, Damien Jurado and Loch Lomond rock the PDXchange Program.

The PDXchange Program continues to bring an incredible string of Portland bands over to the Tower Theatre, as evidenced by last night’s show featuring Viva Voce, Damien Jurado and Loch Lomond.
Sadly, I missed Loch Lomond’s set due to, well, a college basketball obligation, but got there for all of Damien Jurado’s depressing yet brilliant folk songs.

Posted inMusic

The Sound of Two: Viva Voce shows just how much sound can come out of a duo

There's nothing really Portland about Anita Robinson's voice, at least the one she uses over the phone.

There's nothing really Portland about Anita Robinson's voice, at least the one she uses over the phone. She speaks in a soothing drawl that's far more country rock than indie rock and reflects her younger days growing up in Muscle Shoals, Alabama. But if you put on a Viva Voce record, there's not much Southern influence to be heard – rather, the band's sound is a blistering combination of psychedelic rock coupled with a wide range of high-powered tones that sometimes wander into a folky realm.
While the Robinson's have found plenty of allies in the Portland music community, including Loch Lomond, with whom they'll share the Tower Theatre stage, along with Damien Jurado, on Monday night, Anita Robinson acknowledges that they're unique in their region of origin. And when they're on tour, they can still identify with the Southern culture.

Posted inMusic

Radiohead: The King of Limbs

Radiohead's new album is not a waste of your money. The King of Limbs is fine.

The point of this review is this: Radiohead's new album is not a waste of your money. The King of Limbs is fine.
Yes, fine – because that's all it is. When you think about the grand scheme of modern music, purchasing a Radiohead record will never, ever be a bad thing. What you get from this band is always intelligent – no matter how much you've convinced yourself that Hail to the Thief was a bad record.

Verify your email

We'll send a verification code to .

Sign up for newsletters

Get the best of The Source - Bend, Oregon directly in your email inbox.

Sending to:

Gift this article