Posted inMusic

EOTO: Thursday 14 – The Annex

Great, strange things come from great, strange things. Case in point: EOTO, the electronic music duo comprised of former String Cheese Incident drummers Michael Travis

Great, strange things come from great, strange things. Case in point: EOTO, the electronic music duo comprised of former String Cheese Incident drummers Michael Travis and Jason Hann.

Posted inMusic

Slushy Deeds: Hell’s Belles at WinterFest

The Rawk Zone, where clothes are flying and riffs are ripping everywhere you look.Call Sound Check a pigeonholer, but there's something a little
contrived - Jack Black-esque, if you will - about five young women
taking to the stage to fulfill their rock dreams via the prepaid glory
of AC/DC's music.
Thing is, Jack Black kicks all the ass he wants, and so does Washington tribute band Hell's Belles.

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Got Power?

Cat Power weaves an austere sound that draws you in. Like Peggy Lee, Nico, Patti Smith and others before her, Marshall uses silence in song as much as shimmering notes to evoke a specific emotion.

You gaze around the crowded smoke filled room. The party is a cacophony
of people laughing, drinking and in different stages of discourse and
intercourse. Staring out the window is that one strange girl who
doesn't really want to socialize, but has an allure that everyone wants
to know. Chan (pronounced Sean) Marshallm better known as Cat Power, is
that girl. A storyteller whose story needs to be coaxed outward, but
when you invest the time to listen, it pays in huge dividends.

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Bluegrass and Newgrass: Acoustic sounds new and old hit Bend this week

Poor Man's Whiskey
Taking a stab at replicating Pink
Floyd's Dark Side of the Moon isn't completely new - several bands have
pulled off the rock opera in its entirety, but to play the entire
record with in a bluegrass vein? That takes some guts. But San
Francisco's Poor Man's Whiskey isn't backing down to the challenge. The
band's acoustic lineup brings as many as seven string-playing yahoos
onstage to play a rock-influenced brand of bluegrass.

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Life in Sci-Fi: Talking Star Wars with Pinback

Like to rock, don’t like talkRob Crow is in a band, but doesn’t seem all that jazzed to be talking about his music. He’s polite

Like to rock, don’t like talkRob Crow is in a band, but doesn't seem all that jazzed to be talking about his music. He's polite and seems to appreciate that we're writing about him, but not all that enthused to discuss his much-revered new record. But when I bring up Star Wars … there's a little extra spark in his voice.
The men of Pinback obsess over science fiction to the point that Crow says he should get a tax break for his devotion to the genre. At times, it's hard to tell whether Crow, the band's multi-instrumentalist, is a musician that's into sci-fi movies, comics, and video games, or if he's maybe a sci-fi nut who just happens to be a damn good musician.

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Saturday Night: All Right – Death metal, boogie fuel and the neon underground

Skeletonwitch frontman Chance Garnette – just one of countless Persistent Angry Young Man Syndrome (PAYMS) sufferers. Awareness heals.”I just don’t like that kind of music,

Skeletonwitch frontman Chance Garnette - just one of countless Persistent Angry Young Man Syndrome (PAYMS) sufferers. Awareness heals."I just don't like that kind of music, and I don't like those guys, either."

So
said one of three spiky young punk rock girls making their way out of
Saturday's all ages show at the Domino Room, just as Sound Check was
heading in the front door. It was a good sign.
Inside the storied
venue, the omen came immediately to fruition. Inky black, thrashing
death metal was on blast, courtesy of Athens, Ohio-based Skeletonwitch.
Two guitarists, a bassist, a drummer and a nicely crazed mic-jockey
with a forearm full of spikes all tossed hair and musical evilness
around the stage like demons on healthy doses of beer and/or crack. The
place was packed full of youngsters in various shades of headbanger,
with a small contingent of over-21s lurking in the upstairs bar area. A
small fight-pit had formed in front of the stage, by and by sending
freshly bashed teens hurtling into those brave enough to stand around
the edge.

Posted inMusic

Jamming Away the Cool: The unapologetic covers and improvisations of The Zen Tricksters

Whatcha looking at? Did Jerry just drop out of the clouds?In the hip circle of music critics to which I pretend to belong,
admitting that you like jam bands is akin to wearing Velcro shoes in
public or showing off the collection of G.I. Joes you keep beneath your
bed - it isn't going to give you too many cool points. I like indie
rock, indie folk, indie power pop, indie hip-hop (indie, while once an
abbreviation of "independent," now seems to mean "cool") and a good
deal of other genres and styles, but I've held fast to my fascination
with the noodles and genre mashing only found in the poorly labeled
"jam band" arena.
Jeff Mattson plays guitar and sings in The Zen
Tricksters, a New York-based quartet with heavy Grateful Dead
influences and affiliations, and he too likes jam bands - probably
because he plays in one (two, actually). While Zen Tricksters has been
Mattson's band for the past couple of decades, he, along with the rest
of his band, also meet up and tour with former Dead vocalist Donna Jean
Godchaux McKay to form Donna Jean and the Tricksters.

Posted inMusic

Sad vs. Happy: Local songwriters explore the dark and light sides of the musical force

Laurel Brauns
Closed for the Season
★★★1/2 out of 5 stars
It's remarkably
appropriate that the cover of Bend-based singer-songwriter Laurel
Brauns' latest album is black and white (mostly black). The cover photo
is a moody, monochromatic shot of a wet-haired, shirtless young boy
standing outdoors. He looks cold, and he's holding an earthworm
awkwardly in the palms of his hands. You can't tell if it's dead or
alive - only that the boy seems to harbor a solemn fascination for it.
The
songs on Closed for the Season echo the mystery and the melancholy of
the photo…mostly the latter. In fact, Brauns' words and music push a
would-be "folksy" sound deep into a strange, enthralling realm of
Old-Worldly organic gothic.

Posted inMusic

Welcome to Reggaetown, Oregon: Three reggae shows in two days – seriously?

Soldiers of Jah Army, honorary mayors of Reggaetown.We've pounded it into these pages more than enough in the past six
months, and a sincere apology to all if this seems like a message from
the Department of Redundancy Department, but … what is up with all the
friggin' reggae going down in this town? At this point, I'm not even
sure how I feel about it, but I sure as hell can't avoid it. And maybe
we shouldn't even worry - the Benders (we're taking a week off from
mentioning "Bendites" in the paper) seem to love it.
This weekend could very well be the peak of the local reggae movement with three separate reggae shows in a matter
of 48 hours. Here's a rundown of what
you can (if you so choose) sway, bob and swing your dreads to:

Posted inMusic

Sacred Steel: The guitar gospel, according to the Campbell Brothers

Keeping the steel in the family.In a weird way, it's accurate to call the Campbell Brothers "church
music," because, technically they play their tunes in a church, just as
they've been doing since they were kids. But this isn't the church
music of organs, autoharps and white-haired women singing falsetto with
one hand raised, leading a drowsy congregation though a down-tempo hymn
- this is pretty much rock music.

Chuck Campbell grew up in the House
of God Church, a Pentecostal, predominately African-American
denomination that shies away from the pipe organ, opting for the steel
guitar to lift the spirits of the congregation, and get them moving
their feet. This isn't a whining, yawning county Western slide guitar -
the House of God sound, often referred to as "Sacred Steel," is more of
a shouting, screaming, wailing manipulation of the instrument that,
when accompanied by a band, is pretty hard not to dance to.

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