Posted inMusic

Learn the Brazilian Beat: Jovino Santos Neto comes back to teach and jam some Brazilian jazz

Jovino Santos Neto serves up some spicy latin rhythms at the Old Stone Church.It’s been a while since we had a helping of Brazilian jazz

Jovino Santos Neto serves up some spicy latin rhythms at the Old Stone Church.It's been a while since we had a helping of Brazilian jazz here in Bend, but after a ten-year absence, Jovino Santos Neto and his jazz trio return to Central Oregon to lay down their hip-shaking Latin beats, while sharing some knowledge with local musicians.

A native of Rio De Janeiro, Neto was raised in New York and some might remember him as a member of Hermeto Pascoal's legendary band from 1977-92. I had the pleasure to catch up with Neto over the phone last week and he told me that Pascoal was the main influence that made him want to become a musician, producer and arranger. Since 1993, Neto's trio has consisted of Chuck Deardorf on bass, and Mark investor on drums, both of whom have masterful skills of their own.

Posted inMusic

Book ’em, Bret: A talk with Bend’s concert genie

promoter extraordinaire Bret Grier on a break from the usual midtown mayhem. There’s really no logical reason why Bend gets as much live music as

promoter extraordinaire Bret Grier on a break from the usual midtown mayhem. There's really no logical reason why Bend gets as much live music as it
does, but we'll offer one semi-rational explanation: Bret Grier. This
is the local promoter that has brought us Flogging Molly, John Butler
Trio, and Pinback (and that's just in the last couple of months)
through his company Random Presents. Bret is nearing in on a decade of
bringing us niche favorites as well as bands whose tour buses barely
fit in the Midtown Music Hall parking lot. Despite his very public work
Grier guards his privacy. So we were pleasantly surprised when he
agreed to an interview with the Source. Here’s a snippet of our recent
interview with Bend’s music man.

Posted inMusic

EOTO: Thursday 14 – The Annex

Great, strange things come from great, strange things. Case in point: EOTO, the electronic music duo comprised of former String Cheese Incident drummers Michael Travis

Great, strange things come from great, strange things. Case in point: EOTO, the electronic music duo comprised of former String Cheese Incident drummers Michael Travis and Jason Hann.

Posted inMusic

Slushy Deeds: Hell’s Belles at WinterFest

The Rawk Zone, where clothes are flying and riffs are ripping everywhere you look.Call Sound Check a pigeonholer, but there's something a little
contrived - Jack Black-esque, if you will - about five young women
taking to the stage to fulfill their rock dreams via the prepaid glory
of AC/DC's music.
Thing is, Jack Black kicks all the ass he wants, and so does Washington tribute band Hell's Belles.

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Got Power?

Cat Power weaves an austere sound that draws you in. Like Peggy Lee, Nico, Patti Smith and others before her, Marshall uses silence in song as much as shimmering notes to evoke a specific emotion.

You gaze around the crowded smoke filled room. The party is a cacophony
of people laughing, drinking and in different stages of discourse and
intercourse. Staring out the window is that one strange girl who
doesn't really want to socialize, but has an allure that everyone wants
to know. Chan (pronounced Sean) Marshallm better known as Cat Power, is
that girl. A storyteller whose story needs to be coaxed outward, but
when you invest the time to listen, it pays in huge dividends.

Posted inMusic

Bluegrass and Newgrass: Acoustic sounds new and old hit Bend this week

Poor Man's Whiskey
Taking a stab at replicating Pink
Floyd's Dark Side of the Moon isn't completely new - several bands have
pulled off the rock opera in its entirety, but to play the entire
record with in a bluegrass vein? That takes some guts. But San
Francisco's Poor Man's Whiskey isn't backing down to the challenge. The
band's acoustic lineup brings as many as seven string-playing yahoos
onstage to play a rock-influenced brand of bluegrass.

Posted inMusic

Life in Sci-Fi: Talking Star Wars with Pinback

Like to rock, don’t like talkRob Crow is in a band, but doesn’t seem all that jazzed to be talking about his music. He’s polite

Like to rock, don’t like talkRob Crow is in a band, but doesn't seem all that jazzed to be talking about his music. He's polite and seems to appreciate that we're writing about him, but not all that enthused to discuss his much-revered new record. But when I bring up Star Wars … there's a little extra spark in his voice.
The men of Pinback obsess over science fiction to the point that Crow says he should get a tax break for his devotion to the genre. At times, it's hard to tell whether Crow, the band's multi-instrumentalist, is a musician that's into sci-fi movies, comics, and video games, or if he's maybe a sci-fi nut who just happens to be a damn good musician.

Posted inMusic

Saturday Night: All Right – Death metal, boogie fuel and the neon underground

Skeletonwitch frontman Chance Garnette – just one of countless Persistent Angry Young Man Syndrome (PAYMS) sufferers. Awareness heals.”I just don’t like that kind of music,

Skeletonwitch frontman Chance Garnette - just one of countless Persistent Angry Young Man Syndrome (PAYMS) sufferers. Awareness heals."I just don't like that kind of music, and I don't like those guys, either."

So
said one of three spiky young punk rock girls making their way out of
Saturday's all ages show at the Domino Room, just as Sound Check was
heading in the front door. It was a good sign.
Inside the storied
venue, the omen came immediately to fruition. Inky black, thrashing
death metal was on blast, courtesy of Athens, Ohio-based Skeletonwitch.
Two guitarists, a bassist, a drummer and a nicely crazed mic-jockey
with a forearm full of spikes all tossed hair and musical evilness
around the stage like demons on healthy doses of beer and/or crack. The
place was packed full of youngsters in various shades of headbanger,
with a small contingent of over-21s lurking in the upstairs bar area. A
small fight-pit had formed in front of the stage, by and by sending
freshly bashed teens hurtling into those brave enough to stand around
the edge.

Posted inMusic

Jamming Away the Cool: The unapologetic covers and improvisations of The Zen Tricksters

Whatcha looking at? Did Jerry just drop out of the clouds?In the hip circle of music critics to which I pretend to belong,
admitting that you like jam bands is akin to wearing Velcro shoes in
public or showing off the collection of G.I. Joes you keep beneath your
bed - it isn't going to give you too many cool points. I like indie
rock, indie folk, indie power pop, indie hip-hop (indie, while once an
abbreviation of "independent," now seems to mean "cool") and a good
deal of other genres and styles, but I've held fast to my fascination
with the noodles and genre mashing only found in the poorly labeled
"jam band" arena.
Jeff Mattson plays guitar and sings in The Zen
Tricksters, a New York-based quartet with heavy Grateful Dead
influences and affiliations, and he too likes jam bands - probably
because he plays in one (two, actually). While Zen Tricksters has been
Mattson's band for the past couple of decades, he, along with the rest
of his band, also meet up and tour with former Dead vocalist Donna Jean
Godchaux McKay to form Donna Jean and the Tricksters.

Posted inMusic

Sad vs. Happy: Local songwriters explore the dark and light sides of the musical force

Laurel Brauns
Closed for the Season
★★★1/2 out of 5 stars
It's remarkably
appropriate that the cover of Bend-based singer-songwriter Laurel
Brauns' latest album is black and white (mostly black). The cover photo
is a moody, monochromatic shot of a wet-haired, shirtless young boy
standing outdoors. He looks cold, and he's holding an earthworm
awkwardly in the palms of his hands. You can't tell if it's dead or
alive - only that the boy seems to harbor a solemn fascination for it.
The
songs on Closed for the Season echo the mystery and the melancholy of
the photo…mostly the latter. In fact, Brauns' words and music push a
would-be "folksy" sound deep into a strange, enthralling realm of
Old-Worldly organic gothic.

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