The oil painting “Rising Above the High Desert” is a grand testimony to the contrasts in the Central Oregon landscape; a wide painting that stretches a panoramic view, the horizon is a field toasted golden, yet spiked with green trees here and there. The heat almost glows from the painting. But then there is the cool, cloud-filled sky and a snow-lined mountain filling up the background; like the hot days and cool nights, the difference between the two primary elements of Janice Druian’s painting fit together for a sum greater than their individual parts.

It is one of 60 works of art presented by the High Desert Museum’s annual “Art of the West” program, a collection of paintings and artworks that capture and illustrate the beauty of western states like Oregonโ€”and, in particular, that articulate the particular and peculiar images and icons of Central Oregon. All told, more than 35 artists had works accepted as part of the showโ€”more than doubling the size from previous years.

It is a wonderful collection that gathers different viewpoints and feelings about the landscape and people who collectively make us what is called “the west,” a title that evokes big skies, cowboys, Native Americans, cacti, and mountains. Some of the pieces focus more on details within the landscape, rather than sweeping vistas; like, an oil painting from David Marty that shows a demur red barn; a deep blue sky peaks from behind the barn’s gray roof and casts a small trim of a shadow. Fran Kievet painting, “Native Rhythms,” is blurred with motion and a block print from Vicki Shuck, “At The Otley Ranch” is less literal, balancing black and white between a shadowy figure (a farmer?) and a blank field.

The show includes some new artists, but many familiar artists, like Kathy Deggendorfer (the Source‘s artist of the month in June), who paints modern folk images; blocky, colorful, and dynamic scenes that frame hectic images from RV and camping sites.

All told, the show is a kaleidoscope of styles and images that together help articulate what “the west” means, and how it looks.

There is an artists’ reception, 6-8 pm, Thursday, July 30. Artists Dawn Emerson, Marjorie Kalama, and Gil Dellinger will present demonstrations inspired by the museum’s wildlife, artifacts, and objects. $5 for non-members.

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Phil Busse has done his tour of duty with alt-weeklies, starting in 1992 right after graduation from Middlebury College as the first environmental beat reporter for San Francisco Weekly. After a brief...

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