Emily Carr, Director of Oregon State University-Cascade’s Low Residency Master of Fine Arts in Creative Writing
โข Keep it simple
โข End on a cliffhanger
โข Make the most of the title
โข Use details that show
โข Whenever possible, present tense
โข Speed it up with short sentences
Mary Heather Noble, Programs Director, The Nature of Words
โข Use unexpected details when describing scene and character. And remember that setting and gesture can say a lot about characters and the dynamic between them.
โข Tension is what drives the story. A story without tension is like a car without gas. One of my mentors has said, “Asking a reader to invest their time in your story is like asking them to get in a boat with you and paddle to the other side of the lake. You need to convince the reader that it’s going to be exciting & interesting enough to be worth their time, and that you’ll be a good guide.”
โข Scenes are almost always more effective than summary. Then the reader can see for themself, and come to his/her own conclusion about how the characters feel.
โข Eliminate all unnecessary adjectives and adverbs. Adverbs are bad.
โข Avoid sentimentality.
โข Never use dialogue to convey information, or it won’t sound natural. And don’t use dialect unless you are really skilled at it.
This article appears in Sep 26 โ Oct 2, 2013.







