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The big dog finally got up and came down off the porch. Now we'll see how many of the other dogs are willing to run with him.
Who's Gonna Run With the Big Dog? Kitzhaber Enters Governor’s Race
Making The Call On Clem
Normal 0 0 1 464 2646 22 5 3249 11.1282 0 0 0 Well I’m sitting here eating an early lunch of crow after hearing that Brian Clem will NOT be running for governor after all.
Let Detroit Lead The Way
For the last 10 years I've been suffering silently as people awkwardly tried to pronounce the year, since we crossed from the 1900s to the 2000s.
But the auto industry is leading a new linguistic trend that we all should embrace.
Rage Films new flick “Pretty Good” premiers at the Tower Sept. 12
I’m not all that hot on the fact that we’ve now in September. In fact, I feel like I’ve had my summer stolen by some invisible fun-and-sun-tan-hating bandit.
Hola! Part 2: With the new location up and running, they’ve earned their exclamation mark
With a happy staff, happy environs and happy food, Hola had me at, well, hola. Big, bright and generous in every way, Hola's new location in the Old Mill has retained all the qualities that made the restaurant a success on the east side, but has given those of us who can't bring ourselves to dine next to a Costco the opportunity to sample some of Bend's boldest and most interesting flavors. Just a month after opening, it seems the word is already out. With a mixed crowd of moviegoers (it's new neighbor is Regal Cinemas), tourists shopping for socks and longtime loyal customers of Hola Uno, business is bustling. As I overheard one of the servers joke, Hola Tres may not be too far off.
Hola! Part 2: With the new location up and running, they’ve earned their exclamation mark
With a happy staff, happy environs and happy food, Hola had me at, well, hola. Big, bright and generous in every way, Hola's new location in the Old Mill has retained all the qualities that made the restaurant a success on the east side, but has given those of us who can't bring ourselves to dine next to a Costco the opportunity to sample some of Bend's boldest and most interesting flavors. Just a month after opening, it seems the word is already out. With a mixed crowd of moviegoers (it's new neighbor is Regal Cinemas), tourists shopping for socks and longtime loyal customers of Hola Uno, business is bustling. As I overheard one of the servers joke, Hola Tres may not be too far off.
Rise to the Occasion: Sunrise to Summit, Pilot Butte Challenge, Reverse PPP
If you're up for it, consider taking on these events.
SUNRISE TO SUMMIT
On Saturday September 5, the 12th Annual Sunrise to Summit starts at 10:30am from Sunrise Lodge at Mt. Bachelor. Run three miles from the lodge up Marshmallow to the top of Sunrise Chair and then follow the trail up to the Summit. Total elevation gain is 2,595 feet.
The event also includes the Bend to Bachelor Duathlon/Relay that starts at 9:30am at the Seven Peaks Elementary School. Cycle 20 miles from the school to Sunrise Lodge and then run to the summit, either individually or as a relay team.
New this year is the Mt. Bachelor Hill Climb Time Trial that starts at the Seven Peaks School at 10:00am and ends at the Sunrise Lodge parking lot. It is an OBRA sanctioned event with a time trial format with starts at 30-second intervals. Total elevation gain is 2,770 feet.
For more information, visit www.mbsef.org/events/sunrise2summit.
Chalkin’ up the Body Count: Rob Zombie sinks horror to new depths
Halloween 2 is so seriously and extremely brutal that it takes violence for violence's sake to a whole new disturbing level. Director Rob Zombie's track record started with homage/tribute to slasher/horror movies of the late '70s and early '80s, making House of 100 Corpses and The Devils Rejects and both have their moments of pure genius. With these two under his belt he ventured out into remake land. His Halloween was fairly reverent to the original with added Zombie-isms and more hyperkinetic violence. Now, as he finds his “voice,” it's becoming more incomprehensible to fathom his vision. Pushing psychedelic visuals aside, he abandons creativity for one big grisly CACHUNK after another.
What a Drag: Ang Lee tackles Woodstock through the eyes of the accidental orchestrator
We need to stop living in the past. People complain how the youth of today knows nothing of history, when in fact they know far too much. Everything they do, create and think is compared unfavorably to what came before. Maybe we could forget the influences of The Beatles, Alfred Hitchcock, and Jack Kerouac, wipe the slate, and start again. Like overbearing older siblings, the titans of the past set everything new in claustrophobic shadows. Will any band ever be as vital as The Beatles? You'd think not from the constant noise of nostalgia. (See this month's cover of Rolling Stone.)
It sounds fascistic – but perhaps we could put a ban on talking about culture prior to this millennium? Particularly that period that inspires such obsession – the '60s. We've all internalized, by osmosis, the major movements of the era. They've been cartooned over the years, the truths of the time reduced to cultural shorthand. Tie-dye t-shirts, LSD, camper vans, peace, sexual revolution – it all means both too much and nothing at all. It could be argued that the last 40 years have been shaped, politically and socially, by waves of '60s glorification and/or backlash, rather than by the decades' actual events.
Time Bomb: Wolfenstein update feels incomplete
I've been shooting Nazis for 17 years, and never once have I needed to make time slow down. Or conjure up a mystic barrier. Guns have been good enough for killing Nazis since the invention of Nazis. And they've been good enough for me since Wolfenstein 3D, way back in 1992 – a Gen-X game if there ever was one, the precursor to Doom and Duke Nukem 3D, and the prototype for Halo and Call of Duty.
I'm not sure if the designers of Wolfenstein “The Reboot” meant for it to feel like an aging game from a generation ago, or if they were just being sloppy. On one hand, they use a fairly modern graphics engine (if you consider Quake 4 modern), so the game is light years beyond the big-flat-room appearance of Wolfenstein 3D. But in the new Wolfenstein the mouths on the digital characters chatter like robots. Fire billows in different, contradictory directions while managing to spread nowhere. Beams of light catch on my hand and gun, but I don't cast a shadow. It's as though a modern game were deliberately imitating the artless graphics of an earlier era.

