Grand (Inter)National: John Butler talks with us about Australia, politics and going dread-less

Get a good look at those dreads, ’cause you ain’t gonna see ’em again.The Source caught up with Aussie sensation John Butler over the phone last week before he and his band played in Flagstaff, Ariz. Their latest release, Grand National, has gone multi-platinum and enjoyed worldwide success. And it all started in 1998 with Butler busking on the streets of Fremantle, a small port city just south of Perth, on the West Coast of Australia. Which is where we began our line of questioning…

The Source Weekly: What's it like being so huge in Australia and then coming to the US as a lesser known act? Is it strange or do you like being somewhat anonymous?

John Butler: There's a big difference between mainstream popularity and underground popularity, which is what I guess we kind of have over here now after seven or eight years of [touring] America. We kind of just build it up from the ground up [so] by the time you're kind of getting to where your status is in the well-known region, it's solid and it just stays for a long time. That's kind of what's happened in Australia, every step of the way it's grown slowly, it's never been like a huge splash and so by the time we were big, the roots were very deep, it wouldn't really matter what storm came by, what we built wouldn't be knocked over.

Is it nice to go around and not worry about people coming up to you all the time though?

Mr. Red on Blonde himself, Tim O’Brien finally makes his way to the Sisters Folk Fest this weekend.It's late in the afternoon on a late August Thursday afternoon and that means Brad Tisdel is in his office and working late. It's only eight days before his labor of love, his raison d'etre (for the French speaking, or perhaps the hyperbolic), the Sisters Folk Festival takes flight. There's plenty of "i"s left to dot and "t"s to be crossed before the 13th installment of the roots music celebration, but Tisdel, the local singer-songwriter as well as the festival's artistic director, still makes time to talk about his hometown's cultural engine.

"The idea is to take a three-day music festival and make it have a year-around presence that's educational and also entertaining for the community," Tisdel says of the Sisters Folk Festival's standing in Central Oregon.

For several years now, the festival's presence has been felt on every page of the calendar whether it be through the Americana Project, Tisdel's in-school music education program, or perhaps the winter concert series, which this past year brought another solid lineup of national touring acts to Sisters. And as if the reach of the Sisters Folk Festival influence isn't expansive enough, Tisdel also recently launched Musical Memories, an inarguably innovative program that brings local musicians into senior communities to play tunes from yesteryear.

If you add in the Americana Song Academy, a songwriter’s summer camp of sorts that precedes the festival, it might be easy for some to forget that there are still three days at the beginning of September where the Sisters Folk Festival itself still exists. Starting on Friday and extending through Sunday while overtaking much of Central Oregon's favorite cowboy town, Sisters Folk is boasting a lineup this year that's full of national performers and as strong as any past gathering.