In what is probably the only-on-the-nose metaphor of the entire film, “The Salesman” opens in an apartment building nearing collapse. Due to construction next door the foundations of the building are falling away, evidenced by the deep cracks forming along our protagonists’ bedroom walls. Married couple Emad and Rana rush around their crumbling apartment grabbing […]
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Death Wish of a Salesman
Iranian master Asghar Farhadi returns with a new film set in Tehran