I‘m tired of having to point this out about movies, television shows and daily life, so I think this is the last time I’m ever going to broach this topic and I’m going to do so in a way I hope isn’t too terribly offensive: If you think the new “Superman” movie is “woke” then […]
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America Sings the Blues
Well, we’re already halfway through the year, which has somehow felt like it’s lasted somewhere between two weeks and five hundred thousand years. I suppose this is as good a time as any to do a brief check-in of the best and worst movies and shows of 2025…so far. Even though some of these will […]
The Extinction of Awe
I don’t think this is much of a hot take, but here we go anyway: the only good Jurassic movies are the first two, the ones directed by Spielberg. I get that “Jurassic Park III,” “Jurassic World,” “Jurassic World: Fallen Kingdom” and “Jurassic World: Dominion” have their fans and I’m sure that if you were a […]
Formulaic One
There’s nothing really that wrong with “F1,” the new film from Joseph Kosinski, the mastermind behind “Top Gun: Maverick,” “Tron: Legacy” and a few other films without colons. As someone with less than zero interest in Formula One racing, I found myself invested in the story, while still wishing the film would paint outside the […]
Dragons, Dancing and the Depth of Love
This week in theaters, we have a wide variety of new releases for just about every discerning cinema-goer. A new romantic drama, “The Materialists,” focuses on a complicated love triangle between Dakota Johnson, Chris Evans and Pedro Pascal. Then there is another live-action remake of a beloved animated film (but this time someone other than […]
The Horror of Franchise Filmmaking
Danny Boyle is a master filmmaker who has never quite received the accolades he deserves, while also never really achieving the level of mastery he’s capable of, like Scorsese or Kubrick. While his films like 1996’s “Trainspotting” changed how drug movies were made and 2002’s “28 Days Later” redefined zombies forever, it wasn’t until 2008’s […]
Aesthetically Idiosyncratic Existentialism
I‘m tired of apologizing for my love of the films of Wes Anderson. Here’s my hard line: I don’t begrudge anyone who doesn’t like Anderson’s movies. The combination of quirk, whimsy, intricate sets, obsessive symmetry, bright color palette and hyper-specific aesthetic isn’t for everyone, and nor should it be. BUT, where I do take issue […]
The Next “Barbenheimer?"
While I wouldn’t completely give them all the credit, the simultaneous release of “Barbie” and “Oppenheimer” on July 21, 2023, did a lot to revive interest in returning to the movie theater. While the movies were both critically and financially successful, it wasn’t wholly the films themselves that generated so much excitement; rather, it was […]
Strangers, Cheerleaders & Lovers
Happy Pride, everyone! While there have been amazing queer films being produced for the last several decades, Hollywood still doesn’t promote them with as much effort as they should unless they think there’s a chance for the film to win awards or make a lot of money. So many incredible LGBTQIA2S+ films completely miss audiences […]
May theatrical roundup
Cinema is robust enough to feel almost limitless as an art form. Although movies are nearly 130 years old, a few filmmakers continue to push the medium forward every year, finding innovative and groundbreaking new ways to tell stories. While it’s rare to come across a film that feels wholly singular, I still find joy […]

