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Nicky Paycheck: Once again Cage is the odd man out in Drive Angry

If you like over-the-top action films, go see Drive Angry; Cage cannot single handedly destroy a movie this good, try as he might.

Wild at Heart, Raising Arizona, Birdy… these are films that come to mind when I think back to when Nicolas Cage was good. Maybe it all started with Captain Corelli's Mandolin. That's when I realized that maybe Cage wasn't cut out for “mood pieces.” Now all he does are somber monotone performances in flicks that put me in a bad mood.

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The Story of Barney's Life: Paul Giamatti brings an inappropriate, yet charming character to life in Barney's Version

In our own versions, we may gloss over certain events and leave others out completely, which is just what Barney Panofsky did in the film Barney's Version.

When telling a person's life story, there are several different versions, depending on who tells the story. In our own versions, we may gloss over certain events and leave others out completely, which is just what Barney Panofsky did in the film Barney's Version.
Barney's Version tells the story of Barney's life over three decades and three wives. Barney is a politically incorrect, brash, curmudgeon of a man who drinks too much and has an unhealthy obsession with hockey. His story begins when he marries a free-spirited girl (Rachelle Lefevre) who soon after kills herself. He then marries a well-to-do momma's girl (Minnie Driver) and at their wedding meets Miriam (Rosamund Pike), his third wife and the mother of his children.

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Ten MORE Reasons to Dislike Miley Cyrus

The first column, entitled โ€œTen Reasons to Dislike Miley Cyrus,โ€ was written last year, and it actually contained only eight reasonsโ€”because I was so infuriated by dislike for her, I ran out of space.

Reason #11: Miley Cyrus is SO unlikable that her mere existence is forcing me to write yet another column about how much I dislike her. (The first column, entitled “Ten Reasons to Dislike Miley Cyrus,” was written last year, and it actually contained only eight reasons – because I was so infuriated by dislike for her, I ran out of space. But since that was HER fault, I'm starting this column with Reason #11.)
Reason #12: Miley Cyrus is hosting Saturday Night Live this week (Sat March 5, NBC, 11:30 pm), with musical guests the Strokes. Everything about that last sentence – especially the mention of Miley Cyrus – is unlikable. For comparison, here's a more likable sentence: Seeping Chest Wound is hosting a Dysentery Vegan Potluck this week, with anal itching guests the Genital Wart Marching Band.

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In the Zone: Killzone 3 hits the mark with detailed destruction

During one of my early battles on the planet Helghan – at least I think we were fighting on Helghan. I mean I know that Killzone 3 is the third game in the series and I should understand the storyline by now. But honestly I don’t care. And I care even less when the game’s designers cram three games worth of made-up military history into blocks of text onscreen during the first few minutes. Sheesh, Sony, didn’t you have enough money to at least hire Patrick Stewart to read the thing out loud?

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Falling Under Opera's Spell with The Elixir of Love

Sunday, March 6 McMenamins Old St. Francis School provides the opportunity for seasoned fans of opera and newbies alike to experience the opera via a performance from Portland Opera to Go.

Here in Bend, the opportunity to catch a live opera isn't exactly plentiful. Aside from The Met: Live in HD opera performance at Old Mill Stadium 16, fans must drive to Portland to take in the sights and sounds of opera. On the other side of the spectrum, many of us probably wouldn't know an opera if a soprano wailed in our faces. Sunday, March 6 McMenamins Old St. Francis School provides the opportunity for seasoned fans of opera and newbies alike to experience the opera via a performance from Portland Opera to Go.

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Running the Table: Inaugural high school billiards league takes hold in the High Desert

The inaugural Bend high school pool league has taken root in Bend, thanks in large part to the efforts of Marshall Fox, owner of Fox's Billiards.

It's a little after four on a recent weekday afternoon and Carly Fristoe stands over what must look like a sea of green felt, surveying her next shot – what could be the winning stroke to close out her match against classmate Devon Holler, who hovers nearby hoping the match will be extended. Just a few feet away, patrons have packed the bar area and are chatting noisily over cocktails and post-work beers, oblivious that Fristoe and Holler are making state high school sports history.
Fristoe seems equally unfazed by the din of the bar area as she measures her shot, checking the angle with her cue before bending down and drawing on the eight ball. It's then that I'm reminded that this isn't the national nine-ball finals at the MGM Grand Casino as Fristoe scratches, stuttering forward with her cue instead of crisply and deliberately striking the ball. The tip of her cue rolls off the top of the white ball, which moves maybe an inch. Fristoe shrugs her shoulders and steps away and Holler moves in for the kill placing the cue ball behind the eight ball and cracking it into the corner pocket.

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Our Picks for 3/2 – 3/10: The Staxx Brothers, Queens of the Mic CD Release, First Friday, Water & Bodies and more

What’s going on in Bend, Oregon this week?

The Staxx Brothers
wednesday 2
Seattle's funky, funky rockers, The Staxx Brothers are returning to Bend, and this time the show is totally free. The Staxx Bros mix funk and hip-hop with a thriving funk sound to keep the party rocking and chances are we'll hear a few songs off the band's forthcoming album, Jungle Cat. And did we mention there are about 47 people in this band? OK, more like seven, but it looks like 47 when they're all up on stage funking out all at once. 7pm. McMenamins Old St. Francis School, 700 NW Bond St.

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Us: 1, Freaky Snow Storm: 0 How we made a newspaper without, well, much of anything.

A look back at the ridiculous surprise snowstorm on February 15 in Bend.

“It snowed.”
I opened one eye to see my wife standing in our bedroom, hair half done, toothbrush in hand and about 47 times more excited than is appropriate for 7 a.m. on a Tuesday. I propped myself up in bed, pried open the shutters and gradually both of my eyelids to verify that it had, in fact, snowed. My verification wasn't because my wife is a liar – which she isn't, and especially not about meteorological events – but rather because I'd come to understand that winter ended a good month ago, giving way to temperatures in the mid 50s and the thought of snowfall had been shelved deep in my mind until next November. Also, it couldn't be snowing. There was nothing about snow in the forecast. Not on KTVZ, not on the Weather Channel, not on the NOAA website, not on that goddamn Weatherbug that chirps from the corner of my laptop despite repeated uninstallation attempts.

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Theatrical Precipitation: A strong cast and direction make 2nd Street's Rainmaker a hit

This weekend, 2nd Street Theatre owner Maralyn Thoma welcomed guests with an opening night champagne reception and red velvet cupcakes while expounding on the virtues of The Rainmaker.
“It’s a sweet play,” she said, handing out playbills and warm smiles. “It’ll make you cry.”
The dust bowl drama, written in 1954 by N. Richard Nash, was made famous by Burt Lancaster’s riveting rendition of the play’s charismatic con man who tries to swindle a small town’s hopes and dreams during an epic drought.
Sisters’ thespian Shawn O’Hern landed the lead role of slick grifter, Bill Starbuck.

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Breaking the Fourth Wall: Spin Cycle bends narrative structure and delivers a solid story

Spin Cycle, brought to Central Oregon by Innovation Theatre Works under the direction of ITW co-founder Brad Hills and starring Chris Rennolds, another co-founder, is a play that will appeal to both baby boomers and those who enjoy a modern twist on narrative storytelling. The play, with cast member Eileen DeSandre as the elderly mother of siblings Wendy (Rennolds) and Mikey, played by Derek Sitter, uses the technique of multiple asides, where each character addresses the audience, breaking the fourth wall between “us” and “them.” Hills' light directorial hand enables each character the freedom to explore his or her own familial Sturm und Drang while literally staring right at us, causing the audience to empathize with the characters while doubting their narrative reliability.

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